Genre Application: Horror - The Shining
The Hook (Two Sentences)
“A recovering alcoholic takes his family to an isolated hotel to write. But the hotel wants him for something else entirely.”
Horror weaponizes the protagonist’s lie against them.
The Core Paragraph (Five Sentences with Connections)
Jack Torrance believes he’s a victim of bad luck, not bad choices (lie). THEREFORE when offered the Overlook caretaker job, he sees redemption, not isolation. BUT the hotel feeds on his resentments and denied rage. THEREFORE his family becomes the target of what he won’t face in himself. BUT only Danny’s gift can reveal the truth Jack refuses to see.
Character Foundations
Jack Torrance
- The Wound: Father’s abuse, own failures
- The Lie: “I’m not responsible for my anger”
- The Mask: The misunderstood genius
- The Want: Recognition as a writer
- The Need: To face his own monstrosity
- The Engine: Denial opens him to possession
Wendy Torrance
- The Wound: Needs to believe in Jack
- The Lie: “Love can fix him”
- The Mask: The supportive wife
- The Want: A happy family
- The Need: To protect Danny above all
- The Engine: Enabling endangers everyone
Danny Torrance
- The Wound: Seeing parents’ truth
- The Lie: “I can keep everyone safe”
- The Mask: The good quiet boy
- The Want: Parents to love each other
- The Need: To accept what cannot be fixed
- The Engine: His gift attracts the hotel
Conflict Grid
Character | Their Lie | Conflict with Others |
---|---|---|
Jack | “I’m the victim” | Family suffers his choices |
Wendy | “Love conquers all” | Jack’s darkness consumes |
Danny | “I can fix this” | Some things can’t be fixed |
But/Therefore/Meanwhile in Action
Horror escalates through character denial meeting supernatural threat:
- Jack takes job THEREFORE family isolated
- BUT hotel has violent history
- MEANWHILE Danny sees terrible visions
- THEREFORE warns parents
- BUT Jack resents implications
- THEREFORE drinks despite promises
- MEANWHILE hotel influences grow stronger
- BUT Jack embraces rather than resists
- THEREFORE becomes the monster he denied
Why This Horror Works
Structure: External horror manifests internal truth Character: Protagonist becomes the antagonist Momentum: Each denial deepens possession
The horror works because the hotel doesn’t create Jack’s monstrosity—it reveals what his lie always hid. The supernatural merely strips away pretense.
Key Horror Applications
- Wound as Portal: Character damage invites the horror
- Lie as Weakness: Denial becomes vulnerability
- Meanwhile Dread: Horror builds in ignored spaces
- Truth Too Late: Recognition comes after transformation
Horror succeeds when the monster outside reflects the monster within. The genre punishes lies with literal transformation—you become what you deny.
The Universal Pattern
Whether thriller, romance, or horror, the pattern holds:
- Wound creates Lie
- Lie shapes Identity
- Plot pressures Lie
- Truth demands Change
Genre only determines how that pressure manifests:
- Thrillers use revelation
- Romance uses relationship
- Horror uses transformation
But all stories are about characters discovering who they really are. Genre just flavors the journey.